Shah Rukh Khan, who gained popularity as a television actor in the late 1980s, made the move to the big screen with the film Deewana, which starred Divya Bharti and Rishi Kapoor.Deewana (1992) was the ideal starting point for Shah Rukh Khan’s career. Raj Kanwar directed the film, which was a huge hit at the movie office and still has music at the top of the charts.
As it occurred, Armaan Kohli was signed on as the second hero when the movie was first released, with Rishi Kapoor playing the lead role and Divya Bharti playing the leading lady. Armaan quit the film midway through the shoot, leaving the filmmakers to face a difficult decision about who would take his place.
Guddu Dhanoa was advised by Shekhar Kapoor to try to sign Shah Rukh Khan. Guddu Dhanoa told him that he was unaware of Shah Rukh Khan’s identity. Then Shekhar told to him that he has experience with TV series like Circus and Fauji. According to Guddu, when he inquired about Deewana, Shah Rukh immediately said, “He had Raju Bann Gaya Gentleman, Chamatkar, Kabhi Haan Kabhi Naa, Dil Aashna Hai, and King Uncle.” This means that he had no dates. only managed to pull it off in the end when the 20-day Raju Ban Gaya Gentleman filming was canceled, and he consented to Deewana. The signing bonus for SRK was Rs 11,000, and his total fee was Rs 1.5 lakh. Rishi Kapoor, on the other hand, was the highest-paid actor at that time.
Even though Deewana was the sixth movie he signed, half of the shooting had already been completed when SRK joined the project, making it SRK’s debut release. “What’s written in destiny can’t be changed,” he said, referring to the picture for which he didn’t have the dates that became his first release.
There is a love triangle in the Deewana movie between Raja, Kajal, and Ravi. Ravi is a well-liked pop singer in the area with a large following that spans both genders. Beautiful Kajal, a young woman in love with Ravi and his music, is one of his fans. After meeting Kajal, Ravi also develops feelings for her, and they soon tie the knot.
Ravi’s uncle hires some men to harm and kill him after the marriage. When they return, they tell him they’ve accomplished their goal. When Kajal learns of Ravi’s passing, she is distraught and adopts the ways of a Hindu widow. One day, she meets the affluent Raja Sahay, who instantly falls in love with her and makes a marriage proposal. Startled by this, Kajal at first declines to marry him but then gives in. Kajal’s life is filled with romance and life again, but it doesn’t last long as Ravi reappears in her life and is taken aback to find her remarried.
Excellent performances have been made by the full castact. The performance of the renowned Rishi Kapoor is outstanding. With his first significant film role, Shah Rukh Khan demonstrated that he would stick around—and he has. He demonstrated his abilities with remarkable and captivating delivery and mannerisms. As the heart and spirit of the film, Divya Bharti excels.
The music of Nadeem Shravan is amazing. Every song, including Teri Ummeed Tera Intezaar and Sochenge Tumhe Pyar, is enjoyable for the listeners. Legendary singers include Saadhana Sargam, Alka Yagnik, Kumar Sanu, and Vinod Rathod provide their lovely voice to these catchy tunes. They take us to a past age when the music in movies belonged to an entirely distinct genre.
The dialogue, background music, action and excitement, photography, and art direction are all expertly woven together in this picture. Because it takes place just as aesthetic trends are about to shift from the 1980s to the 1990s, it appeals to the audience in a different way. It’s full of 90s-style, cheesy sequences, but it still has a lot of impact.
From the beginning, Shah Rukh Khan established his rule. His performance was outstanding for a debut. He shot to fame in the country with his dreamy eyes and unquestionably young appeal. SRK is without a doubt the king of romance, and his performance in the movie is exceptional.
Remember Ole Ole and Honton Pe Bas Tera Naam Hai from Naresh Malhotra’s Yeh Dillagi? The story of Yeh Dillagi was about two rich brothers ? Vijay (Akshay Kumar) and Vicky (Saif Ali Khan) ? falling for the same girl ? their driver’s beautiful daughter Sapna (Kajol). Kajol falls for the suave and hardworking Akshay, and wants to get married to him, unaware of his brother’s love for her. Saif and Akshay’s mother, however, has no intention of getting any of her sons married to a driver’s daughter.
Yeh Dillagi is Aditya Films’ musical, young love story. The music is the main highlight of the film, and it is to the director’s credit that they have composed some amazing songs. The visuals match the music perfectly, making it a great audio-visual experience. The story revolves around a poor girl, two rich brothers, one of whom is a Casanova and the other a simple and sober businessman, and the Casanova brother tries to seduce the girl but ends up falling for her as soon as she becomes a best-selling model.
The second brother, unaware that his brother’s love story is one-sided, falls in love too, and finally sacrifices his own love for the love of the other brother. The script is fresh, the drama is well-presented, and the light scenes, fun, frolics, songs (well-arranged) and dances make the movie an enjoyable one. The gay scene with Saif is funny, the climax is predictable, and the dialogue is good.
The performance of Akshay Kumar was well done, he has just the right level of restraint in his single action scene, his dance is great, Saif Ali khan was cute and act very well, he was great in the ‘Ole Ole’ dance. Kajol has the best footage and comes out flying, her performance was commendable and she looks beautiful as the model, Saeed Jaffrey, Deven Varma, Reema Lagoo, and Neena were good supporting cast. The direction of debutant Naresh malhotra was competent. The music was a super-hit, the song ‘Ole ole ole’ was already popular among youngsters and the picturisation of this song is great. The song ‘Hothon e bas’ was also great and has been sensually panned. The picturisation of songs ‘Barkha khi ghadi’ and ‘Naam khya hai’ are well done, the title song and the ghazal of Pankaj udhas are richly sung. The cinematography was very good. Overall, this reasonably priced musical was enjoyable to watch.
The climax shows Saif realizing that Akshay and Kajol are in deep love with each other, and sacrificing his love for his brother’s sake.
Kajol reminisced with her fans about her time on the Ye Dillagi set 29 years ago. She posted a throwback photo in her social media of her co-starring in the film. The photo showed them all smiling as they posed for the camera and Kajol captioned it, “It was so much fun to be on this set… and all the little memories! Akshay was so proud of his cooking skills, and he made us a super simple but delicious dal. We had to walk almost 1.5 k up the hill in the dark because the car broke down at the bottom and we had to stay at the top with no cellphones.”
Riding a horse in a tiny skirt and believing that my hat would at least shield my face, she went on. When Saroj ji wanted to photograph us instead of the movie, Saif and I would laugh uncontrollably while we were filming Hoton Pe Bas. On set, Reemaji sat down and played cards with my mother, who she was playing for the first time. While Manish and I were going through the tribulations, #Yashji was extending his blessing and trying to offer us something to eat.What you remember most about the movie isn’t what you were feeling at the time.
Critics gave Yeh Dillagi a favorable reception. “[She] looks better than she did in Baazigar (1993) and gives a believable performance,” the Indian Express said of Kajol’s performance.
When Yeh Dillagi was released on May 6, 1994, it became a commercial triumph, earning ₹10.8 crore as opposed to its ₹1.6 crore budget. It was well-received by critics upon its premiere, with special attention paid to Kajol’s performance, which turned out to be a breakthrough for her.
At the 40th Filmfare Awards, Yeh Dillagi received 4 nominations – Best Actor (Kumar), Best Actress (Kajol), Best Music Director (Dilip Sen, Sameer Sen) and Best Male Playback Singer (Abhijeet for the song “Ole Ole”). The film was later remade in Telugu as Priya O Priya.
How regularly do we see stories of ladies on screen, particularly told by a lady ? It is uncommon . What is indeed rarer is when the story is told right. In Tribhanga Tedhi Medhi Insane , writer director Renuka Shahane, a well known performing artist herself, endeavors at making an enthusiastic dramatization around three eras of ladies . But whereas the plot appear pitch perfect, the portrayal falls brief of desires . Indeed the lead on-screen characters mishandle whereas pushing the storyline forward.
Directed and composed by Renuka Shahane, Tribhanga sets out with respectable eagerly . At its center could be a lesson within the worthless exertion of being superior guardians that the ones you endured , the huge taken a toll of living life on your own conditions and why, in spite of all of it, it is still the correct way to live. The story is told through three eras of ladies . At the head of the totem shaft is Nayantara Tanvi Azmi , the acclaimed writer with especially terrible choice in men. She bounces from one separate to another, dragging her two children along. In her insensible self-centeredness , she causes reprehensible hurt to her girl , Anuradha played by Kajol .
Kajol plays celebrated Odissi artist Anu, who loathes her essayist mother Nayan played by Tanvi Azmi. Going into one more era , you see Anu s girl Masha played by Mithila Palkar, who is around to have a child . You get to observe these three eras of ladies lead their lives and bargain with their circumstances. The film dives into the complexities of a mother daughter relationship. The chief tries to appear the affect a mother has on a child s life until the child herself gets to be a mother.
The center of the story is Anu s hatred of her mother s unusual choice that she accepts has demolished her life. The character played by OTT star Mithila Palkar is Shanane s turn , whereas including a unused intergenerational perspective. Anu is nearly precisely like her mother but does not realize it until she includes a girl of her claim . In spite of the fact that the film isn’t personal Shahane states that there are numerous parts of the film that are related to her life and individual experiences.
Shahane has taken her adore for Odissi move and utilized it as a allegory to portray her characters. Anu depicts Nayan as the marginally off center posture abhang , Masha as the in balance sama bhang , and herself as Tribhanga , the posture with three twists at changing angles.
Kajol declared her film on social media by saying, Tribhanga, matlab, tedhi, medhi, insane , but sexy.
The film points to have an gathering of people reflect on their possess connections with their mother, and see at these characters with sympathy and kindness.
Overall, Renuka’s story isn’t without justify . However, it’s everything else that falls flat to bear it. Kajol and Tanvi get the lion s share of the story and Mithila gets only a few of scenes in a film that’s gathered to be almost a trinity of ladies . Kajol eats up the screen with her at first astounding and afterward vainglorious utilize of colourful dialect . She shouts and swears, taking a breath as it were to shed a desolate tear. She vacillates from harmed to completely wired to revolting crying and the move is never inconspicuous . Tanvi, still, oversees to drag her weight in spite of being in a coma for half her screen time. She is the less chaotic, more develop foil and break to Kajol.
Zero is a 2018 Bollywood romance-comedy, directed by Anand L Rai. Shah Rukh Khan, Katrina Kaif, and Anushka Sharma play the movie’s main characters. In Aanand L Rai’s Zero, SRK will play a dwarf, and Anushka will play a scientist with physical disabilities. The movie is produced by Gauri Khan, Aanand L Rai and Karuna Badwal under the banner of Red Chillies Entertainment and Colour Yellow Productions Pvt. Ltd., and is distributed by the same entity. Manu Anand has wielded the camera for Zero.
Zero Story: Wearing his heart on his sleeve, Meerut native Bauua Singh (Shah Rukh Khan) is a man with vertical challenges. He develops feelings for Aafia (Anushka Sharma), a scientist with cerebral palsy. Their unusual love tale takes place in space as well as in the US and India. It encounters many interesting difficulties along the road as well.
Zero Review: A brilliant idea requires an equally brilliant execution, yet not every great story receives the attention it deserves. The notion of Zero’s story is interesting and motivating, never holding back in its outrageousness. This relationship between Meerut and Mars flirts with science fiction, interplanetary travel, and, more locally, traditional themes like abandoned and passionate affection. As a result, the movie attempts to convey too many concepts and falls short in achieving any of them. While there are some stunning images and beautiful moments, the most passes by like a shooting star.
The story opens in Meerut, where Bauua Singh wastes his father’s (Tigmanshu Dhulia) money because he is constantly fascinated with Bollywood actress Babita Kumari (Katrina Kaif). Despite his immaturity and pride, he is extremely confident despite his height. When Bauua accidentally enters the highly skilled scientist Aafia’s life, everything drastically changes. Because of their differences—she has cerebral palsy and he is vertically challenged—a connection between equals is made possible by their shared weaknesses. Aside from their physical difficulties, they have completely different personalities, which ultimately intensifies the drama in the story. Drama is increased when Bollywood star Babita Kumari enters Bauua’s life at some point.The first part of the movie is dedicated to setting up this unusual romance. Even if the concepts are original and noteworthy, the storyline doesn’t quite tie the story’s arc together. The Zero storyline doesn’t interest or disappointment you.
In the second half, the ideas get much bolder. Bauua’s romantic tale goes on a thrilling journey to Mumbai, where it meets Bollywood. Here, B-town celebrities make unexpected debuts. One of the standout moments is undoubtedly when Salman and Shah Rukh unite in the song Issaqbaazi. Next, the narrative proceeds on a mission inspired by Mars and visits the United States. This is where the characters’ and the movie’s graph just do not add up. Although Himanshu Sharma’s writing has its moments, it falls short of being the epic love story that it wants to be. After quickly launching out of orbit for two hours and twenty-five minutes, the movie most surely feels too long drawn.
The positive side is that the the characters, directed by Aanand L Rai, never allowed their physical difficulties to break their spirit or weaken their courage. Shah Rukh is a skilled romantic actor, and he portrays charm and intensity in this scene. It’s not complicated. He does a fantastic job portraying the tiny but charming Bauua in a plot that heavily relies on special effects. While having a tiny role, Katrina Kaif completely steals the show as a conflicted and devastated Bollywood star. Regretfully, despite the amazing potential of Anushka Sharma’s role, the actress’s use of expressions to depict the disability isn’t always consistent or convincing.
If Ashutosh Rana’s villain still scares you, I feel fulfilled as a director – Tanuja Chandra
Dushman (1998), produced by Pooja Bhatt and Mukesh Bhatt was the directorial debut of Tanuja Chandra, an Indianized adaptation of the Hollywood film “Eye for An Eye,” Dushman starred Kajol, Sanjay Dutt, and Ashutosh Rana along in lead and supported by Tanvi Azmi and Kunal Khemu, Tanuja Chandra’s debut film Dushman was a revenge tale with strong performances and a villain who still makes your spine shiver.
When asked about her experience working on Dushman, Kajol said in an interview with Rajeev Masand a few years ago that, although she was excited to be offered a strong female-backed role by a woman director, she had to turn it down a few times because she didn’t want to film the rape scene. She finally agreed to join the project only after Chandra persuaded her that a body double would be utilized for the scenario. I can only image how terrifying it must have been for Rana and the body duplicate to perform a scene like this, which to this day is remembered by all.
Kajol had two distinct looks for her dual role in the movie: one with long hair and the other with a bob cut. The 48-year-old claimed in a recent interview with a film magazine that her second hairstyle was her least favorite thus far. “There’s something about that wig that makes me think back” (frowns). At that moment, I genuinely believed it was effective. Today, I don’t think that’s true! Kajol was said to have said.
Actors Shah Rukh Khan and Aamir Khan turned down the role of Major Suraj Singh Rathod, a visually-impaired soldier. The role eventually went to actor Sanjay Dutt. This was the first time that Sanjay Dutt played the role of a visually-impaired man on-screen and the young boy who played the role of Dutt’s caretaker, Bheem, was child actor Kunal Kemmu.
The story is about the twins Sonia and Naina Sehgal (Kajol). Despite being identical, Sonia and Naina couldn’t be more dissimilar; whereas Naina is quiet and introverted, Sonia is extroverted and outspoken. In a separate plot, Gokul Pandit (Ashutosh Rana), a ruthless murderer and rapist, is being sought after by the police.
The Sehgal family suffers tragedy when Gokul rapes Sonia and kills her cruelly. Following a police investigation, Gokul is taken into custody but subsequently found not guilty because one of the key witnesses, Sunanda, who also happens to be Gokul’s fiancé, lied in court. Inconsolable, Naina swears she will find Gokul. Naina quickly discovers that Gokul is pursuing her and that she needs assistance to get over her fear of him. With retaliation on her mind, she encounters blind military veteran Suraj Singh Rathod (Sanjay Dutt), who assists her in overcoming her fear of Gokul. Naina and Suraj grow romantically attached as Suraj trains her.
After a fight, Suraj one day declines to see Naina, so she decides to pursue Gokul on her own. Gokul kidnaps Naina’s younger sister, Dia, from school in an attempt to frighten Naina. Because of this, Naina’s mother decides to head straight to Nainital because her daughter’s life is in danger. But Naina’s hate was uncontrollable, and she would stop at nothing to exact revenge on her sister. Gokul ties Naina up and tries to rape her like her sister after she sets a trap for him. Naina then tries to kill him. When Suraj gets to her place, he fights Gokul and gets stabbed in the process. After breaking free, Naina shoots Gokul to death.
After his injuries heal, Suraj plans to leave Naina, but he soon comes to understand that she loves him and cannot live without him. As the film comes to a close, Suraj and Naina are seen meeting at the airport just before he leaves the city.
For those who loved ferocious Ashutosh Rana on-screen, it might be tough to believe that Dushman was his debut film. Needless to say, it was lauded by the audience and received critical acclaim too an in the 44th Filmfare Awards, he won Best Villain award. Believe it or not, but actor Mukul Dev was initially signed for the film in the villainous role, but was later replaced by Ashutosh Rana, who did a brilliant job. Due to Kajol’s unavailability, Mona Ghosh Shetty completed the dubbing for her. Kajol received a Best Actress nomination at the filmfare for her performance in the film, but instead won the award for her performance in Kuch Kuch Hota Hai.
One of the greatest revenge movies ever created in Hindi is still Dushman. While it falls short of Anjaam’s (starring Shah Rukh Khan and Madhuri Dixit) standards, it is nonetheless engaging from start to finish. You are captivated to the screen all the way through the movie.
Josh released in 2000 is a story of energy, youth, love, and the passion of life set against the backdrop of Goa. It’s 1980 in the coastal town of Vasco. Two gangs fight for control of the streets: the Scorpions, led by Prakash (Sharad Kapoor), and the Eagles, fronted by Max (Shahrukh Khan). When Prakash’s brother Rahul (Chandrachur Singh) comes to visit, he meets and quickly falls in love with Shirley (Aishwarya Rai), not realizing she’s the sister of his brother’s rival, Max. Though Rahul tries to keep their relationship secret, it’s only a matter of time before it brings the gang rivalry to a head.
Prakash’s brother Rahul (Chandrachur Singh), who was raised in the city, falls in love with Max’s twin sister Shirley (Aishwarya Rai), further splitting this hate. The senseless fighting that the two groups engage in hurts Rahul, a sensible young man. In the end, the movie confirms that careless anger leads to destruction.
Driven by WEST SIDE STORY, the movie captures your attention from the very beginning. The execution of these scenes shows leader Mansoor Khan’s dominance over the media, and the hatred between the two posses is established from the first. The major section of the film is exciting and full of suspenseful, funny, and delicate moments that are skillfully handled, something that most group fight pictures lack.
One of the film’s features is the crossing point. The face-to-face fight for unmatched excellence and Ash’s interest when Shah Rukh tries to choke Chandrachur are incredibly well-shot. This boosts the expectations for a concluding section that is equally engaging. However, the post-span sections of the movie fail.
The film’s core idea—that Shah Rukh and Ash’s father are real—is weak, which is where the flaw in the tale rests. The flashback sections and Nadira’s portrayal should have made for a very remarkable story. In fact, there’s a lot to be desired even at the the peak. When the verdict is announced and the incident involving Sharad Kapoor’s real killer comes first, the court grouping seems like a convenient way to wrap things up quickly.
The Goan air that is presented in the movie is another drawback. There is no denying that it gives the movie a deep, in-depth exploration in terms of the languages spoken and the varieties used, but the Rajasthan, Punjab, and Bihar environments won’t be acknowledged.
Nonetheless, it is undeniable that Mansoor Khan deserves praise for breaking from the general consensus by casting two of the biggest performers in kin roles. Refusing to bend to the demands of the advertising industry while yet providing Shah Rukh and Sharad with an identical film demands bravery. In any case, his execution of the plans is outstanding as well. Take note of the tense moments involving Shah Rukh and Sharad Kapoor, the humorous moments involving Chandrachur and Ash, or the fight at the pre-peak sequence where Shah Rukh shoots Sharad. These are moments that demonstrate how well the leader realizes his work.
Anu Malik’s music praises the goings-on wonderfully. The film has a lilting score and each melody is similarly well picturised. ‘Sailaru Sailare’, ‘Apun Bola’ (delivered effectively by Shah Rukh) and ‘Hai Mera Dil’ are jewels that will add to the recurrent review of the film. Activity scenes (Abbas Ali) are energetic. The battles look sensible and have been canned without turning to roughness. Exchanges are regular. Cinematography (K.V. Anand) is breathtaking.
Shah Rukh Khan succeeds as Max. He looks the person and performs it with most extreme genuineness. This is without a doubt one of the most outstanding exhibitions of his profession. Aishwarya Rai looks dazzling (as usual!) and conveys an extraordinary exhibition as well. It should be noticed that Shah Rukh and Ash don’t look odd ordering the job of twins.
Sharad Kapoor springs an unexpected, yet wonderful treat. He is absolutely taken care of and has his impact flawlessly, matching Shah Rukh at each step. This film ought to demonstrate the defining moment in his vocation. Chandrachur Singh is top notch as well. He looks the person, which was so significant, and his presentation makes certain to be valued. Priya Gill plays too a little part to leave an effect. Nadira experiences because of a powerless characterisation. Sharat Saxena and Viveck Vaswani loan satisfactory help.
All things considered, JOSH is a beautifully crafted movie with outstanding visuals and a catchy soundtrack. However, due to a lack of contrasting evidence, the Goan mood will limit its possibilities in a state. Similarly, a weak peak and a typical last segment are important limitations. Nonetheless, given the kind of beginning the movie has established, its producers has made a reasonable business and movi has made a lasting imapct.
In 2022, Sanjay Leela Bhansali celebrated the 20th anniversary of his reworking of Sarat Chandra Chattopadhyay’s beloved Bengali novel Devdas. Fundamentally, the 1917 book tells the tale of societal structure, male ego, familial pride, and forbidden love. Twenty times in seven languages, Devdas has been adapted for the screen; its cinematic interpretations have ranged from realism to gloriousness. The title role has been portrayed by superstars such as K.L. Saigal, Dilip Kumar, Soumitra Chatterjee, and Shah Rukh Khan in this version.
Devdas,” released in 2002, is one such cinematic gem that continues to captivate viewers with its touching narrative, breathtaking visuals, and stellar performances. Directed by Sanjay Leela Bhansali and starring the legendary Shah Rukh Khan in the titular role, “Devdas” is a cinematic masterpiece that explores the complexities of love, loss, and redemption against the backdrop of a previous era.
The Story:
After ten years away, wealthy and from a high caste, Devdas (ShahRukh Khan) comes home to begin a childhood relationship with the attractive but lower caste Paro (Aishwarya Rai). Because of the caste difference, his family is against the union; Paro’s mother married an older, wealthier widower. This starts the downward spiral into alcoholism that Devdas experiences, leading him to seek comfort with the compassionate prostitute Chandramukhi (Madhuri Dixit), and ultimately to his emotional collapse. As their lives intertwine and fate takes its toll, Devdas and Paro remain bound by an unbreakable bond of love, even as tragedy looms on the horizon.
The Visual Spectacle:
One of the most striking aspects of “Devdas” is its visual grandeur. Sanjay Leela Bhansali, known for his opulent filmmaking style, creates a lavish world filled with vibrant colors, complex costumes, and lavish sets. From the palatial mansions of Bengal to the bustling streets of Calcutta’s red-light district, every frame of the film is a visual feast for the eyes. Bhansali perfecting his distinctive style of filmmaking. Following a somewhat gloomy premiere with Khamoshi, he tried something more ambitious with Hum Dil De Chuke Sanam, but Devdas was the film that featured many of Bhansali’s signatures, which he continues to use to this day.
The cinematography, done by Binod Pradhan, captures the essence of the story with breathtaking precision, transporting the audience to a bygone era of aristocratic glory and cultural richness. The film’s stunning dance sequences, choreographed by Saroj Khan and Farah Khan, are a testament to the beauty and grace of Indian classical dance forms, adding an extra layer of spectacle to the narrative.
The Performances:
At the heart of “Devdas” are the powerhouse performances of its lead actors. Shah Rukh Khan delivers a tour de force performance as Devdas, bringing to life the character’s inner turmoil and emotional depth with remarkable nuance. His portrayal of a man torn between duty and desire is both heartbreaking and compelling, cementing his status as one of Bollywood’s finest actors.
Aishwarya Rai Bachchan shines as Paro, infusing the character with a rare combination of innocence and strength. Her chemistry with Shah Rukh Khan is palpable, lending credence to their tumultuous love story. Madhuri Dixit, in the role of Chandramukhi, delivers a mesmerizing performance, imbuing the character with warmth and vulnerability.
The way Shah Rukh plays the title character in relation to certain other versions has also been criticized for the movie. Before Shah Rukh took on the role, some of the biggest names and best actors in Indian cinema history—KL Saigal, A Nageswara Rao, Dilip Kumar, and Soumitra Chatterjee, to mention a few—had portrayed Devdas. It was natural to draw comparisons. Shah Rukh may not have quite reached Dilip Kumar’s standard for a strong Devdas performance, but he did come close. His strengths over an established actor in the style of Dilip Kumar are significant.
No actor can match Dilip Kumar’s ability to convey Devdas’ pain in such a straightforward and exquisite way. However, Shah Rukh outperformed the great master in one area: his portrayal of Dev’s arrogant madness. Devdas, played by Shah Rukh, was a bit discriminatory, arrogant, and unlikeable man who didn’t need to be glorified. And Shah Rukh did a fantastic job bringing that to the screen. His rendition does not have to be the greatest or superior to anyone else’s. It worked because it was unique and intense enough. And that is all that is important.
The Music:
No discussion of “Devdas” would be complete without mentioning its unforgettable soundtrack. Composed by Ismail Darbar with lyrics by Nusrat Badr, the music of “Devdas” strikes a perfect balance between traditional Indian melodies and contemporary sensibilities. From the haunting strains of “Silsila Ye Chahat Ka” to the soul-stirring “Dola Re Dola,” each song adds depth and emotion to the narrative, elevating the film to a whole new level.
“Devdas” is a cinematic experience that transcends time and space. With its timeless tale of love, tragedy, and spectacle, the film continues to enthrall audiences around the world, reminding us of the enduring power of storytelling. From its breathtaking visuals to its powerhouse performances, “Devdas” is a true masterpiece of Indian cinema that will stand the test of time.
Richard Corliss of TIME magazine listed Devdas among the “10 Best Films of the Millennium” in 2012. With lavish sets, engaging set pieces, stunning costumes, and an iconic yet norm-defying soundtrack based on traditional classical music (unheard of at the time in Hindi cinema), Bhansali’s trademark operatic manner tells this story of passionate love. Here, Shahrukh Khan delivers one of his most impactful performances, and Aishwarys Rai and Madhuri Dixit steal the show in both musical numbers and situations.
The 1998 Indian film “Pyaar To Hona Hi Tha” is a reimagining of Lawrence Kasdan’s “French Kiss,” which starred Meg Ryan and Kevin Kline.
Pyaar To Hona Hi Tha is a romantic comedy drama that centers on two main characters, Sanjana and Shekhar, who are portrayed by Kajol and Ajay Devgn. Anees Bazmee is the writer and director of Pyaar To Hona Hi Tha, an Indian version starring Kajol and Ajay Devgn.Sanjana (Kajol) lives in France with her uncle played by Harish Patel and is engaged to Rahul played by Vijay Anand, but he leaves for an Indian business trip not long after their engagement.
Due to her extreme fear of flying, Sanjana is unable to accompany Rahul on his trip and ultimately decides to stay in France. Rahul ends up dumping his fiancé Sanjana in favor of Nisha, a character portrayed by Kashmira Shah.
Being unable to give up easyily, Sanjana confronts her anxieties and boards an aircraft for India, where she bumps into Shekhar, played by Ajay Devgn, who is a small time crook. He helps her overcome the trauma, even though he dislikes flying. He follows her around, attempting to retrieve stolen diamond jewelry that he has hidden in her luggage.
They take an unexpected turn on the way to Shekhar’s family’s village, where their lighthearted conversation gradually develops into friendship and, eventually, love. Sanjana’s fiancé wanted her back during all of this, but their feelings were no longer mutual.
The scene then plays out like a traditional Hindi film climax, with Shekhar overcoming traffic jams, a flaming car, and her takeoff to prevent her from knowing he loves her. The happy climax comes next. Kajol shines as Sanjana, bringing her trademark bubbliness and emotional depth to the character. Her chemistry with Ajay Devgn’s Shekhar is palpable, creating moments of genuine warmth and humor that resonate with audiences of all ages.
The supporting cast adds layers of quirkiness and charm, enhancing the overall appeal of the film and making each character memorable in their own right, with Sham Deshpande, Satish Kaul, Poornima Bhave, Reema Lagoo, Mushtaq Khan, Tiku Talsania, Anjan Shrivastava, Om Puri, Kashmira Shah, Vijoy Anand, and Anant Mahadevan providing support.
One cannot talk about ‘Pyaar To Hona Hi Tha’ without mentioning its soul-stirring music and breathtaking cinematography. The melodious soundtrack composed by Jatin-Lalit strikes a perfect balance between peppy numbers and soulful melodies, enhancing the emotional impact of key scenes. The scenetic locations captured on camera transport viewers to a world of beauty and romance, adding an extra layer of magic to the storytelling.
The album, released by Baba Music, was the fourth best-selling album of 1998, behind Soldier, Dil Se, and Kuch Kuch Hota Hai (both by Jatin-Lalit). It was nominated for Best Music Direction by Jatin-Lalit at the Filmfare, Star Screen, and Zee Cine Awards. Popular tracks were “Aaj Hai Sagai”, “Pyar To Hona Hi Tha”, “Ajnabi Mujko Itna Bata”, and “Jab Kisi Ki Taraf”and “Jab Kisiki Taraf Dil” were written by Sameer and Vinoo Mahendra. Title song song Pyaar Toh Hona Hi Tha by Jaspinder Narula and Remo Fernandes is still a treat to hear till date while other songs sung by Lata Mangeshkar, Asha Bhosale, and Kumar Sanu are mesmerizing.
Even after more than two decades since its release, ‘Pyaar To Hona Hi Tha’ continues to hold a special place in the hearts of Bollywood fans worldwide. Its timeless themes of love, destiny, and self-discovery resonate with audiences across generations, making it a perennial favorite for movie buffs looking for a dose of feel-good entertainment. The film’s success also paved the way for more collaborations between Kajol and Ajay Devgn
In conclusion, ‘Pyaar To Hona Hi Tha’ remains a shining example of timeless romance done right in Bollywood. With its engaging storyline, memorable performances, soulful music, and eye catching visuals, this film continues to enchant audiences with its magic and charm. So, if you’re in the mood for a heartwarming tale that celebrates love in all its forms, look no further than this cinematic gem from 1998 – a true classic that stands the test of time.ily
Yash Chopra’s last directorial before he died, Jab Tak Hai Jaan will remain in the minds and hearts of movie buffs. After all, nobody could make Shah Rukh Khan romance on screen the way Yash Chopra did. “Jab Tak Hai Jaan” revolves around the complex love triangle between Samar Anand, played by Shah Rukh Khan, Meera Thapar, portrayed by Katrina Kaif, and Akira Rai, portrayed by Anushka Sharma.
A young immigrant, Samar, (Shah Rukh Khan) and an NRI Meera (Katrina Kaif) are in love but have to separate. In agony, Samar comes to India and joins the army. He meets Akira (Anushka Sharma) who takes him back to London where he meets Meera under extraordinary circumstances
Central to the narrative are the unforgettable characters who bring depth and emotion to the story. Shah Rukh Khan delivers a mesmerizing performance as Samar, a man haunted by his past and driven by his sense of duty. His intensity and charisma light up the screen, making Samar a character audiences root for despite his flaws. Katrina Kaif shines as Meera, portraying her inner turmoil and conflict with grace and poise. Anushka Sharma adds a spark of energy and spontaneity as Akira, a journalist determined to uncover Samar’s secrets and unravel the mysteries of his past.
With sizzling on-screen chemistry between stars, soothing musical notes, picturesque locations, and poetry that touches hearts, Jab Tak Hai Jaan was a perfect blend of all elements that could make a movie a hit.
Lets look at some interesting facts that you probably wouldn’t know of.
1) Jab Tak Hai Jaan’s not only celebrated filmmaker Yash Chopra’s eight-year break from the industry—his last film being Veer-Zaara in 2004—but it also marked the director’s golden jubilee in Bollywood. It was the director’s 22nd and last picture before his death on October 21, 2012, one month before the movie’s premiere.
2) The only Bollywood film in Shah Rukh’s career so far in which he kisses his co-star on screen is Jab Tak Hai Jaan. SRK has strict rules about not kissing his co-stars or riding a horse in movies, but Chopra convinced him to change his mind after explaining why it was essential for the current movie.
3) The first movie directed by Yash Chopra without a single song featuring Lata Mangeshkar’s voice was Jab Tak Hai Jaan. Mangeshkar typically sings all or most of the songs in his films. Additionally, this was Chopra’s first time working with AR Rahman and Gulzar.
Set against the breath taking backdrops of London, Ladakh, and Kashmir, “Jab Tak Hai Jaan” transports viewers to picturesque locales that serve as the perfect backdrop for romance and drama. The snow-capped mountains, lush valleys, and bustling streets of these destinations add to the film’s visual splendour, immersing audiences in the characters’ journey of love and self-discovery.
Regarding acting, Shah Rukh Khan deserves all the praise for carrying the movie on his shoulders. Despite her innocent appearance, Katrina Kaif falls short as the perfect Yash Chopra heroine. With her extravagantly cheerful and carefree portrayal of a modern Delhi girl, Anushka Sharma brings energy and enthusiasm to the movie. However, occasionally her high-pitched voice becomes unbearable. After a long time, it was pleasant to watch the softer Kashmir on the big screen. A Yash Chopra film’s setting is always guaranteed to be memorable, and Jab Tak Hai Jaan is just another example.
“Jab Tak Hai Jaan” delivers captivating soundtrack composed by the musical maestro A.R. Rahman. The soundtrack Jab Tak Hai Jaan was critically and popularly praised, especially for emotive songs such as Heer and Jiya Re. From the haunting melody of “Challa” to the soulful ballad “Saans,” each song evokes a range of emotions, complementing the storyline and enhancing the cinematic experience.. The music of “Jab Tak Hai Jaan” continues to resonate with audiences, transcending language and culture to touch the hearts of listeners around the world.
Even after being released over ten years ago, “Jab Tak Hai Jaan” is still regarded as a loved classic Bollywood film. It is an ongoing favourite among romantics due to its timeless story of love, sacrifice, and redemption that appeals to audiences of all ages. The success of the movie is proof of the enduring strength of love to overcome all challenges and of Shah Rukh Khan’s ageless charm as the “King of Romance.”
“Jab Tak Hai Jaan” is a film, but it’s also a classic of cinema that celebrates the victory of love over hardship. We are reminded of the eternal power of love to transcend distance, time, and destiny as we say goodbye to Samar, Meera, and Akira. Therefore, get some tissues, immerse yourself in the magic of “Jab Tak Hai Jaan,” and allow its forever story of love to fan the flames of desire within you, for as the title suggests, “Until there is life.”
“Kal Ho Naa Ho,” released in 2003, directed by Nikhil Advani and produced by Karan Johar under Dharma Productions is a gem that continues to resonate with audiences worldwide. Directed by Nikkhil Advani and produced by Karan Johar, this cinematic masterpiece is a painful saga of love, friendship, and the resilience of the human spirit. Set against the backdrop of New York City, “Kal Ho Naa Ho” takes viewers on a journey through the lives of ordinary people grappling with love, loss, and life’s uncertainties. Nikhil advani when interviwed by Hindustan Times after 20 years of it release mentioned that “for a debut director to be given Shah Rukh Khan, Preity Zinta, Saif Ali Khan, Jaya Bachchan, Anil Mehta as the DoP, Shankar-Ehsaan-Loy as music composers, Javed Akhtar as the lyricist, New York City as the canvas to play with, I think it’s a dream, right? I’m extremely honoured and grateful to every moment of Kal Ho Naa Ho”.
This tearjerker sealed Shah Rukh Khan’s place as the global king of romance and gave us one of Bollywood’s best soundtracks.
Kal Ho Naa Ho is centered on a classic love triangle — but one with plenty of twists that still feel unexpected today.”Kal Ho Naa Ho” revolves around Naina Catherine Kapur, played by Preity Zinta, a young woman burdened by family responsibilities and unfulfilled dreams (her glasses, rare for a Bollywood heroine to wear in the early ’00s, reportedly spurred a fashion trend). Her life takes an unexpected turn with the arrival of Aman Mathur, portrayed by Shah Rukh Khan, a charming stranger who brings a whirlwind of joy and laughter into her world. However, beneath Aman’s cheerful exterior lies a heartbreaking secret that threatens to shatter the fragile bonds of love and friendship. As Naina navigates the complexities of her emotions, she finds herself torn between loyalty to her family and the stirring of her heart. The narrative is a rollercoaster of emotions, blending moments of laughter and tears with profound insights into the human condition.
Central to the narrative are the unforgettable characters who breathe life into the story. Shah Rukh Khan delivers a tour de force performance as Aman Mathur, the epitome of optimism and selflessness. His infectious energy and zest for life light up the screen, leaving an indelible impression on audiences. Preity Zinta’s portrayal of Naina is equally compelling, capturing the nuances of her character’s journey from pain to empowerment. Supporting performances by Saif Ali Khan as Rohit, Naina’s loyal friend, and Jaya Bachchan as Jennifer, Naina’s loving mother, add depth and richness to the ensemble cast. It also starred Dara Singh, Reema Lagoo, Sonali Bendre, Lillete Dubey, Sushma Seth, Sulabha Arya, Rajpal Yadav and Delnaaz Irani among others in key roles.Together, they weave a fabric of feelings together that resonates with viewers long after the credits roll. Each character is flawed yet relatable, making their triumphs and tribulations all the more impactful.
The way KHNH handles Rohit and Aman, however, may make it even more unusual. Although the two men’s friendship goes much deeper than their shared love for Naina, as critics have often pointed out, KHNH never allows their connection to become poisonous or polarizing, despite a terrible running homosexual joke throughout the movie that belittles this intimacy. Rather than being afraid of platonic male intimacy, it embraces it. What’s more, the two men never let their friendship be in danger, even though they are both in love with the same lady.
Furthermore, KHNH is strikingly and amazingly varied, even within its portrayal of Indian-American communities. The characters in the movie are a positive representation of the multiplicity of Indian subcultures; Naina’s Punjabi family includes Christian and Sikh relatives, while Rohit’s family is Gujarati. This positive mix of subcultures within the Indian diaspora contributed to the film’s feel-good humanism. It’s acceptable and even encouraged to merge cultures, and different perspectives on marriage and love are also encouraged. The film’s New York backdrop highlighted a blending of cultures, which was essential to KHNH’s international popularity.
The memorable music, of “Kal Ho Naa Ho” delivers on this front with a soul-stirring soundtrack composed by Shankar-Ehsaan-Loy is mesmerizing. From the iconic title track to the melodious “Maahi Ve,” each song evokes a range of emotions, enhancing the storytelling experience. The music serves as a powerful narrative device, underscoring key moments and deepening the emotional impact of the film. Whether it’s the melancholic strains of “Kal Ho Naa Ho” or the upbeat rhythms of “It’s the Time to Disco,” the songs of the film linger in the hearts of listeners, becoming synonymous with the cinematic experience. The film’s soundtrack continues to be remembered and celebrated today and is widely considered one of the most successful soundtracks in Indian cinema.
Twenty years since its release, “Kal Ho Naa Ho” continues to captivate audiences with its timeless themes and memorable performances. The film’s message of living life to the fullest and cherishing every moment resonates across generations,making it an favorite among film enthusiasts everywhere. Its enduring legacy serves as evidence of the resilience of the human spirit, love, and hope. “Kal Ho Naa Ho” is more than just a film; it’s a cultural phenomenon that has left an indelible mark on the hearts of millions.
“Kal Ho Naa Ho” is a journey of the heart that celebrates the triumph of love over adversity. As we bid farewell to its beloved characters, we are reminded of the beauty of life’s imperfections and the power of hope to light our darkest days. So, grab some tissues, immerse yourself in the magic of “Kal Ho Naa Ho,” and let its timeless tale remind you to live, love, and laugh, for tomorrow may never come
